廣播級監聽喇叭新千喜年再現 

click here for : ELECTRONIC MUSICIAN Magazine Feb. 2007

click here for: MIX Magazine  Jan. 2007

click here for: EQ Magazine Oct 2006

click here for: DIGITAL PRO-SOUND

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click here for review in   Magazine by:  Rob Tavaglione

“…consistently flat in the midrange — the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems… these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.” Kevin BeckaTechnical Editor / MIX MAGAZINE

"... the MixCubes yield a  microscopic-style view of critical  midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors.   The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most  reasonable street pricing of $235/pair, there should be some square, butter-cream speakers gracing your  meter bridge in the future."
 George Petersen  Mix Magazine

“… as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.… despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation.”
 Michael Cooper  Electronic Musician Magazine

“Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to the kids because I got a pair of Avantone Mixcubes . We A/B 'd  them and the Avantones are much better sounding than the Auratones, less midrange  bump and more accurate.  We have already improved our bass sound.  We love them!“

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SPECIFICATIONS:

 

SYSTEM TYPE:	Active (Self-powered) shielded full-range stereo pair
FREQUENCY RESPONSE:	90hz-17,000hz  (Accessible Musical Range)
DRIVER IMPEDANCE:	Nominal 8 ohms
MAX SPL:	104db 1 meter @ 1%THD (PINK NOISE)
AMPLIFIER:	Class A/B
AMP POWER:	60 watts RMS@ .005% THD (1KHz)
AMP FREQ. RESPONSE:	22Hz-50KHz +0dB/- 3dB   (90Hz-50KHz +/-0dB)
NOISE:	S/N -113 dB
SENSITIVITY:	0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL
COOLING:	Convection / Heat Sink-Aluminum Fins
DRIVER:	Proprietary Design 5.25” Cast Aluminum Frame / Paper Cone/Shielded
CABINET:	Sealed design / 18mm MDF / Dacron acoustical stuffing
INPUTS:	XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced
CABINET DIMENSIONS:	165mm X 165mm X 165mm ( 6 1/2" x 6 1/2" x 6 1/2" )
CABINET WEIGHT:	7Lbs 2 oz / 3.55 kgs  (per speaker)
WARRANTY:	5 Year Limited Warranty to original purchaser

原文引自-數位樂活資訊館
http://tw.myblog.yahoo.com/dml-digitalmusiclife/article?mid=448&prev=-1&next=440

日期：2009年6月6日 14：30分 東海大學 芳華廳

此次音樂會為東海大學畢業音樂會，除了由電子琴與雙鋼琴合奏出聖桑的動物

狂歡節以外，還有就是東還大學音樂系獨創的「東海電鍵團」演出，而指揮是

古典音樂界極富盛名的

東海大學教授 郭宗愷教授

但 郭 教授認為整個音響設備無法表現出整個樂團的效果，尤其是管樂的質感

最難以表現出來，所以才有這次與Solitaire Refrence 6A的演出合作。

郭教授表示，Solitaire Refrence 6A最主要表現出的就是整個樂器的清晰度，以

及管樂所需要的直接性及真實感，也補足了原本音響無法做到的效果。

郭教授對這對喇叭的評價非常的高，他沒想到這對喇叭的聲音是那麼的直接的

表現出樂器聲音的質感，也非常的滿意，也讓東海音樂系為此添購了Solitaire

Refrence 6A，他認為這是值得購買的設備。

Soltaire Reference 6A

郭博士簡介：

郭博士於1987年獲美國俄亥俄州立大學音樂藝術博士，主修鋼琴演奏。鋼琴主修期間,曾隨Catherine Smith、Tetley-Kardos及鋼琴大師Earl Wild學習鋼琴演奏。

郭博士不僅為優秀之鋼琴演奏及教育家，亦擅長小提琴及豎笛演奏。擁有中原大學心理學學士學位(1974)，及美國東伊利諾大學音樂碩士學位(1979)。並曾於堪薩斯大學主修音樂治療與音樂教育(1976)，於印地安那大學主修指揮(1984)。又於1998年赴東京的日本大學研究電子鍵盤樂器之演奏八個月，並於1999年赴美國南加大學研究「電子鍵盤樂器之合奏、作曲與編曲」半年。他創設交響鍵盤樂團，並經常於國內外指揮歌劇、鋼琴協奏曲及合唱曲。

郭博士現任教於東海大學，曾籌創東海大學音樂研究所，並曾歷任音樂系系主任及研究所所長(1988-1994)。

一直以來，好的單機版殘響效果機，表現總是比最好的插件優異，然而，這個領域的選擇總因著數位設備很高的研發費用，而難免受限於少數幾個廠牌與型號。

Lexicon 224's, 224XL's 以及 480L's 至今仍很熱賣，這台經典機種其綿密與據包覆感的聲音特性，至今仍無法取代，新的機種像是TC M4000 以及 System 6000 或是 Lexicon 960， 受人喜愛也相對的安靜，但殘響總讓人感覺是浮在訊號的頂端而不是變成訊號的一部分。對於各種不同的應用場合來說，這個這些怪獸機表現很優異，但對於某些場合來說就暴露了其缺點，特別是對於直接收錄的鼓以及人聲。

Bricasti是一個新的公司，這名字對於某些人來說也一定很陌生，不過他的血統卻很純正，這個公司最早是起源於負責設計Lexicon經典效果器的團隊，他們現今的設計仍然強烈保留住當年的個性，但具備數位的輸入以及輸出端子，以及更友善的人機介面。

Bricasti M7 因著其源於經典Lexicon的血統，在這一台流線型的1U機身當中，具備令人懷念的豐富且深沈的殘響，它編輯的功能很廣泛，但具有邏輯且容易上手，而工廠的預設直涵蓋了許多組非常實用的預設效果。

我們將這機器與Lexicons - PCM91 以及經典的224(Lexicon最有名的殘響之一)比較，雖然某些雖然有些原廠預設像是PCM91的重組，但Bricasti的聲音卻更為豐富 ，具備許多現代殘響的包覆感。很明顯的，殘響的尾巴更平滑自然，並且沒有91系列吱吱的高頻聲，表示它的處理能力更上層樓，當我們A/B M7以及Lex 224，它的表現更為耀眼， 許多基本的預設值都不容易辨識，但兩者都具備豐富且深沈的聲音特性，不過Bricasti更安靜， 要說到編輯的能力那就根本無從比較，M7在各方面都勝出，從各種數位輸入到廣大的內建預設以及編輯所有參數的能力都是。

很少有製造商會對新的機種自我宣揚，但Bricasti M7確實如此。 它是一台優秀的機器，並且很快就會在發燒音樂；後製以及廣告錄音室等許多不同場合中被廣泛使用，如果你打算購買一台高品質的殘響，並且只能買一台，這絕對是首選，特別是以它傑出的音質來說，價位是相對的友善。

Eccentric

製造者如是說... 
The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors（使用最新的陣列式dsp處理器), provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.

Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.

預設效果特性介紹

• 100 組獨家的預設效果
• 革命性的新殘響演算法：True Stereo Reverb Process
• 經典與創新的預設效果; Halls, Plates, Rooms, Chambers, Ambient Spaces
• 每組效果具備12組預設可調參數
• 100組使用者設定效果
• 4 組面板 可自行設定的“Favorites”的最常使用效果，可快速比較以及切換

硬體設計特性    

• 雙獨立電源供應
• 專為類比電路設計的獨立環形變壓器
• 專位數位電路設計的高表現切換式變壓器
• 數位與類比模組分離
• 抗腐蝕不鏽鋼外殼
• 面板、旋鈕以及按鍵採電鍍鋁殼處理
• Postive feel 2 db 撥段式類比輸入控制
• MIDI I/O
• 美国手工製造 

看得見超低音的軌跡!! Solitaire Refernce 6A正式上市

• Reference 6A的緣起：

2007年10月，Solitaire Refrence 5A正式上市。

  
Reference 6A監聽喇叭完整重現大型喇叭的氣勢

 

靈感是上天給予的禮物，無論何時，或是何處，它說來就來。一個藝術家需要隨時準備好， 所以需要一個幫手協助你輕鬆捕捉稍縱即逝的靈感。... 來看看 Duet.

Duet 是一個可攜式的錄音介面，具備驚異的音質， 內建支援Apple’s Logic Pro, Soundtrack Pro 以及 GarageBand軟體的控制功能，Duet讓你輕鬆創造專業的錄音。
透過Duet，你可以插入吉他、鍵盤以及麥克風並且錄製你的音樂，或是簡單的體驗透過iTunes播放的好聲音，Duet輕便好攜帶，並且透過FireWire供電，所以你可以帶著你的Studio到處走，並且在任何地方帶著你的音樂在身邊。

Duet 帶給您... 專業的可攜式聲音介面以及世界級的麥克風前級，Apogee設計的訊號轉換，以及創新、直覺、容易的使用方式，Duet永遠在關鍵時刻捕捉你的音樂、演出..等。

美金價格： $495

		Mix Foundation 2008 TEC award “Digital Converter Technology” Award Site>
		MAC UP product rating View Award
		Keys: Leser-Award 2008 for Best Mobile Interface Award Site> View Award
		Pro Audio Review's "PAR Excellence 2007"
		Audio Media's "Gear of the Year 2007"

		Sing Duet features two superb microphone inputs, each with phantom power and up to 75dB of gain. With Duet, you can record a pristine vocal track while playing your guitar or keyboard, stereo mic your acoustic or even capture a live concert.
		Play Duet’s dual, 1/4” high impedance inputs are ideal for any combination of two instrumentalists: guitar and bass, bass and keyboard, guitar and guitar, etc. Simply plug into the breakout cable inputs labeled with the corresponding instrument icons and jam or record using your favorite Core Audio-compatible application.
		Listen Whether it’s through the 1/4” outputs to your powered speakers or via the headphone jack, Duet delivers the amazing sound quality Apogee is known for. With Duet’s multi-function controller knob, you can easily toggle back and forth between your monitors and headphones, control the volume and mute playback. Duet’s studio reference-quality sound combined with simple and powerful control features make it an ideal choice for creating music or simply delivering the ultimate iTunes listening experience.
		Record and Podcast Along with exceptional sound quality and powerful control features Duet also offers incredible ease-of-use for recording. With software integration into Apple’s OS X, GarageBand, Logic and Soundtrack Pro, Duet empowers you with an interface designed exclusively for the Mac, making the technology of recording easy and elegant so you can focus on creating great music. And, with its unique GarageBand integration, Duet makes creating high-quality audio for Podcasting easy. Duet is directly integrated into GarageBand , Logic Pro and Soundtrack Pro. Visit the Apple sites: GarageBand> Logic Pro> Soundtrack Pro> Duet's GarageBand control panel

Mastering Duet: Take Control with Maestro
Duet is the first two-channel audio interface with control functions built directly into Apple’s Logic Pro, Soundtrack Pro and GarageBand... But what if you want to use Duet with another audio application on your Mac? Enter Apogee's Maestro software. With Maestro, you can control all of Duet’s capabilities and settings and use Duet with any Core Audio-compatible application. Everything Duet is capable of and more is easily controlled and configured within Maestro. Additionally, Maestro lets you assign MIDI function controls such as level adjustment, panning and song position to Duet’s controller knob. You can also configure the controller knob to mute your headphones or monitors with a simple click. No matter what software you use with Duet, Maestro will give you the control you need.	Maestro control panels
Maestro's settings, controls and functions:
Input source selection Input level control Input source grouping Output level and type Output muting Mic/instrument gain mode	Assigning meter display Over hold parameters Assignable MIDI device control Song position access Low latency mixing

Dialing in Duet: The Multi-function Controller Knob
	Ensemble introduced advanced software control with Maestro and its dual, multi-purpose control knobs, and Duet refines and expands the control knob feature. With the assignable MIDI and selective muting options in Maestro, Duet’s control knob becomes a one-touch manager of all your I/O functions while totally simplifying the process of recording and listening.

Break Out: Duet’s Input and Output Connection Cable
The I/O breakout cable that comes with Duet makes connecting microphones, instruments and speakers simple and clear. Each high-quality connector is clearly labeled with the corresponding icon and the speaker connectors are distinguished by a unique purple slider. The separation of the connectors allows you to direct and group your inputs and outputs anyway you want to, while providing a natural strain relief between Duet and the items connected. The breakout cable also greatly reduces Duet’s footprint on your desktop and makes its sleek, low profile design, ergonomic and comfortable to use.	Duet's Break out cable is flexible and easy to use with input and output icons for your instruments, microphones and powered speakers.

On the Level: Input and Output LED Metering
	You wouldn’t expect it on a box this small, but Duet has it; Input and output LED meters. With a simple setting in Maestro, Duet lets you monitor your instrument and mic input levels or the output level going to your powered speakers and headphones.

Fired Up: Bus Powered FireWire Lets you Take Duet Anywhere
Duet is the first bus powered FireWire interface in the Apogee family. Which means your computer powers Duet, liberating you from a wall socket. So with Duet, a laptop and a little gear, you can roam to wherever your creativity takes you and make incredible sounding recordings in an inspired space.

Power Trio Integration

Apogee, Apple and Euphonix have been working together to provide a range of powerful integrated music creation tools that take the process of composing, recording, editing and mixing to a whole new level. Find out more about Power Trio>

 

MC Control 以及高達四台的 MC Mix 串聯在一起，各種不同的組合方式讓你可以建立大型的混音與編輯系統。MC Control 補足了MC Mix的推桿功能，使得軌道的布局安排可以經由按下一個鍵就呼叫回推桿上。藉由即時建構你自己的控制台能力，將高速以及高解析的混音控制帶入下一個層次 。

強大的功能 

聽來似乎是過於完美，但MC Control真的可以跟任何OSX下的應用程式一起使用 。

MC Control最簡單的形式就是他觸控螢幕下方的12組soft keys，他可以快速被編輯，只要一按就可以送出最常使用的指令。選擇Soft key的頁面，會看到還有更多的24組面板soft keys可以編輯。 你可以使用許多指令但是再也不需要去背他們的熱鍵是什麼按鈕加什麼。

對於每一個你所使用的應用程式， 從Pro Tools 到 iTunes， MC Control會寄得你最喜愛的熱鍵，當程式跟MC一連到，這些Soft Key就會跳出來。

MC Mix 是設計來用推桿以及旋鈕控制參數，所以前提是應用程式必須支援外部控制。

不像其他的控制介面，MC Control 以及 MC Mix 是具有智慧的，感謝EuCon 以及 MC Client 的應用程式，Euphonix會會自動切換協定來配合你所使用的應用程式。

MC Control 以及 Mix 透過EuCon通訊協定來連結Mac，同時也傳輸HUI 以及 Mackie Control 通訊協定。 這也就是說推桿、旋鈕以及螢幕上顯示的軌道按鍵都可以透過高速乙太網路連接到你的DAW。
 

當支援HUI的應用程式像是Pro Tools正在使用，舉例來說，MC Client端的應用程式通訊使用HUI來連結， 在此時切換Logic Pro 以及MC Client 應用程式的時候，通訊協定也會自動切換，EuCon協定通訊像是Logic就完全支援EuCon。而類似Final Cut Pro 以及MC Client應用程式就會切換到使用Mackie Control協定。

EuCon 應用程式

• Logic Pro
• Cubase
• Nuendo
• Maestro

Mackie Control 應用程式

• Final Cut Pro
• Soundtrack Pro
• Digital Performer
• Live
• Reason

HUI 應用程式

• Pro Tools (HD/LE/M-Powered)

 

Euphonix MC Control/Mix系列，Midimall全產品在庫，代理商保固一年，歡迎洽詢。

如果你是從以前的版本升級到SONAR 8, 這是專為你設計的版本. 透過SONAR 8, 跛任何之前的SONAR升級版本改變更多, 我們之前問過使用者他們所希望要求的功能與特性. 我們聽取使用者的建議. 所以請參閱下面的List.

如果你需要更多的資料,點閱右邊的連結 check out all the optimizations under the hood of SONAR 8

從以前的版本升級? 請點右邊的連結 Click here to see what's been added with each new version.

新增特性, 最佳化, 以及工作流程的補強包含:

Loop Explorer 2.0(迴圈瀏覽器)—視窗提供了audio以及midi groove clip以及pattern的瀏覽以及預視;快速的拖拉loops 以及 patterns 進入軌道視窗; MIDI groove clips以及patterns 可以依據你所使用的軟體合成器來預覽.

Dedicated Instrument Track(喜愛的樂器軌道)—單一軌道依照立體或單聲道的軟體合程器來最佳化, 簡化透過軟體合成器工作時的程序. 在這個追蹤如何提供使用者期待的工作方式過程中, 之前版本所提供給軟體合成器的多重軌道(multi-track)方式仍然支援. 除此之外使用者可以從/到離散的音軌/Midi軌當中分離並且合併樂器軌道.

SONAR Performance Optimizations(執行最佳化)—集中在功能性上面,包含高軌數時候的執行效率以及低延遲, 快速的啟動時間, 以極不需要重新啟動就可以改變聲音設備的能力; 跟VST plug-ins串流傳輸資料 以及改良的ASIO 執行效率並且具備延遲補償能力.

User Interface optimizations(使用者介面最佳化)—當重新定義視窗以及控制台的尺寸時保持平滑的顯示, 最佳化米特計監看, 更多感應的縮放以及捲頁.

編輯強化部分:

Clip Selection Groups—更多SONAR的多軌錄音以及管理能力, 在錄音完成後, SONAR可以把跨軌的聲音片段自動群組起來 — 對於多軌的弦樂組以及鼓組錄音的編譯來說十分好用.

Aim Assist Cursor—視覺話的指引協助你需要精細對齊音軌編輯的時候使用.

Split and Mute Tools—現在可以同時編輯多重音軌的聲音片段.

Free Edit Tool—不需要任何修改按鍵就可以依照聲音片段或是時間來執行編輯功能.

錄音強化部分:

Live Effects and Soft Synth Recording—使用 SONAR的現場併軌能力, 可以即時播放以及錄製效果器或是軟體合成器輸出的音軌.

Anytime Recording—當SONAR的播放正在使用或是loop的使用者現在可以強制使用(arm)/解除(unarm) 聲音以及MIdi軌道, 在錄放音之間 punch in, punch out, 以及 toggle .

混音強化部分:

Exclusive Solo Mode with Solo Override(獨家的Solo模式具備Solo覆蓋能力)—新的Solo模式可以強迫一次只能Solo一軌，避免軌道或是Bus在其他軌道Sol的時候被Mute掉。.

Bus Inputs QuickGroup Command(Bus輸入快速群組指令)—自動將所有的來源軌道群組起來, 匯入所選擇的bus.

Mono hardware outputs(單聲道硬體輸出)—除了立體配對輸出，讓你可以更容易的分派軌道/Bus到個別的硬體輸出.

控制強化部分:

Transport Updates(傳輸面板升級)—真實的倒轉,快轉以及暫停按鍵;監聽按鍵; 改良的啟發式Jog/Shuttle飛梭控制; 對控制介面以及scrub performance的最佳化.

Control Surface Enhancements(控制介面強化)—不論在軌道視窗或是混音台視窗都可以從面板選擇顯示/隱藏軌道, obeying visible/hidden tracks, 保留/儲存控制面板的Midi Port分派, Real-World VST 參數數值現在可以支援.

Track View and Console View Sync(軌道視窗以及混音台視窗同步) --軌道視窗以及混音台視窗上對於顯示/隱藏的軌道現在可以同步.

其他強化部分:

Enhanced Sample Rate Conversion(強化的取樣頻率轉換) — 使用如LP-64 系列 64-位元Mastering Plugin一樣快速的取樣轉換迴旋引擎(convolution engine).

Vista Audio — WASAPI 格式支援, 相容於所有的Vista 聲音設備, 包含WaveRT PCI 以及 主機板上的 audio, USB, 以及 FireWire 設備

QuickTime 7 Import/Export —支援最新的QuickTime 7 codecs, 支援 H.264 以及 AAC audio.

工作流程的強化，包含:

Insert Send Assistant(Insert Send支援)—provides a fast and easy way to create effect buses and insert sends to new or existing buses.

Updated ACT Presets —mappings for popular plug-ins and controllers.

Templates — over 400 new production ready Track Templates and Project Templates.

Drum Maps & Presets — Updated Drum Maps and Plug-in Presets enhancing our most popular plug-ins.

Patterns — New collection of drum pattern presets for the integrated Step Sequencer.

新增樂器包含:

Beatscape loop performance instrument —Beatscape, the latest instrument by Cakewalk's premier synthesis architect René Ceballos takes loop manipulation and realtime triggering/performance to new heights. Beatscape provides 16-pads to load and trigger loops or samples for sequencing your productions and beats. Each pad features a full powered REX player, Rapture-style step generator, multiple effect processors, and sophisticated groove slicing and dicing tools powered by Cakewalk's own AudioSnap slicing technology.

Drag and drop audio directly from SONAR onto the Beatscape pads and it's sync'd and ready to go. Use the built in browser to quickly load clips and loops from your collection of previously recorded material, or choose from the massive 4GB REX library of included beats, breaks and phrases in a multitude of genres ranging from house, drum n' bass, hip hop, techno, glitch, latin, reggaeton, and more from the pros at Heatseekers and X-MiX.

Beatscape is the ultimate remixing instrument.  Combine audio clips from multiple recording sessions and use the 16 pads to sequence them live or into a SONAR track.  Easily load key clips or loops from two separate projects, blend them together, and trigger one shot samples—all on the fly from Beatscape's up-front interface.

Features include:

• Load loops and trigger/mangle them on the fly.
• Rearrange loop slices using the 'timber reorder' slice arranger in Beatscape's Loop Editor window to make new loops or variations of loops.
• Built in Step Generator allows users to quickly and visually draw per-step changes in amplitude, panning, pitch, or LP filter with resonance on individual loops or samples.
• Make your loops sound the way you want with 17 built in high quality effects.
• With 3 effect inserts per pad, Beatscape can handle 48 effects at once.
• Slices from each loop are mapped to their corresponding MIDI channel for pattern programming.
• Easy MIDI mapping lets you simultaneously trigger entire loops and individual slices.
• 4 gigabytes of outstanding content arranged as construction kits, broken down into separate layers such as kicks, hats, percussion, snares, synths, and more.
  

Dimension Pro —SONAR now includes a full version of the acclaimed synthesizer that combines real instruments with advanced synthesis for endless sound possibilities. The underpinnings of Dimension Pro's creative possibilities is the powerful Cakewalk's Expression Engine providing several types of synthesis including multi-sample rendering, wavetable synthesis, waveguide synthesis, and REX playback and manipulation.

Included Content for Dimension Pro

• Over 7 GB of content for Dimension Pro including Strings, Bass, Brass, Ethnic Instruments, Evolving Ambient Textures and more.
• Garritan Pocket Orchestra for Dimension Pro provides a complete set of orchestral instrumentation.
• Digital Sound Factory Classic Keys Expansion Pack for Dimension Pro—about 1GB of classic electric piano sounds, created by the sound designer for the original E-MU Proteus 2000.
• Hollywood Edge Sound Effects sample library with over 100 MBs of film score ready samples and sound FX.

TruePianos Amber VSTi Module —One of four modules that currently ship with the full version of TruePianos VSTi, the TruePianos Amber Module will provide SONAR users with world-class, playable piano sounds through its combination sampling, modeling, and synthesis sound design. TruePianos sounds and feels great, just like a real acoustic piano, with all the important characteristics: sympathetic resonance, inter-string harmonics, repedalling and more.

• Designed to blend transparently with the musician's hands through its unique capabilities of matching to the players own playing style (and characteristics of his/her MIDI keyboard) with the help of intuitive controls.
• Optimized for real-time performance, with low CPU usage even at 96khz host sampling rates and advanced polyphony levels.
  

New Effect Processors Include:

TS 64 Transient Shaper —a powerful tool for sculpting the transient dynamics of any percussive based source material such as drums or guitars. The TS 64 Transient Shaper employs powerful envelope/transient-detection, linear-phase filtering, and gain-shaping to control the dynamics of individual transients of any sound with amplitude variation over time.

The TS 64 Transient Shaper utilizes the same superior linear-phase technology found in SONAR's LP-64 EQ and LP-64 Multiband where the frequency spectrum is split into bands and then summed back together while maintaining the integrity of all processed audio across all frequencies. This provides clear precise control of the timbre of each detected transient without introducing coloration, phase errors, cancellations, comb filtering, or muddy sound.

• Multi-stage, linear-phase filter algorithm provides frequency dependent gain-adjustment.
• Level-independent shaping of envelopes allowing for transient sustain to be shortened or extended.
• Shape audio signal attack phase independently of the decay/sustain phase.
• Powerful envelope/transient-detection.
• Great for drum loops and percussion, taming unruly electric guitars, and for improving the attack or fullness of an acoustic guitar or piano.
• Automatable parameters.
• Smooth, zipperless output.
• Full VST functionality for access from dedicated audio editors.

TL-64 Tube Leveler —a line driver/leveling processor that employs advanced analog vacuum-tube circuit modeling algorithms to add the unique qualities of tube color and warmth found in classic recordings to whatever source material it is applied.

TL-64 provides intuitive controls to determine the level and character of analog tube saturation, from subtle "warming" to hard-driving saturation. The TL-64 plug-in features a unique selectable Dynamic Response Filter control that when engaged employs a dynamic (versus static) tube model algorithm. The dynamic tube model behaves more like a real vacuum tube in that its characteristics change over time depending on the input signal. There is also a Bass Compensation control that compensates for any reduction in bass material as a result of low-shelf filtering. The Bass Compensation filter allows you to reduce clipping in the bass bands while still maintaining a flat output response.

• Powered by StudioDevil (Gallo Engineering) known for their ultra-high-quality analog tube amplifier emulation.
• Several instances of the TL-64 plug-ins can also be combined in effects chains, along with other processors, EQ, and compressors, to create a limitless palette of virtual analog effects.
• Dynamic and static tube model algorithms.
• High quality signal processing algorithms.
• Switchable oversampling option defeats high-frequency aliasing/quantization noise.
• Smooth, zipperless output.
• Automatable parameters.
• Library of presets.
• Full VST functionality for access from dedicated audio editors.

Channel Tools—provides easy and powerful zero-latency channel processing for adjusting L/R channel placement, gain, pan/width, and phase; sample delay for precision timing adjustment of L/R channels in recordings; Automatic Mid-Side decoding of imported Mid-Side recorded material. Channel Tools can also provide a widening or narrowing effect to stereo recordings through adjustments to mid-side gain.

• Intuitive control over individual placement of the left and right channels anywhere in the stereo field.
• Automatically decode Mid-Side channel recordings.
• Fine-tune the timing of recordings by delaying the left and/or right channel by a specific number of samples or milliseconds.
• Full VST functionality for access from dedicated audio editors.

Native Instruments Guitar Rig 3 LE —built on the latest award-winning guitar amp modeler from Native Instruments; 3 amps and cabinets, 11 effects, tuner, metronome, and over 50 presets.

SONAR 8 Producer Exclusive