MIDIMALL音樂製作器材資訊網 http://www.midimall.com.tw/nuke/ MIDIMALL音樂製作器材資訊網 zh-tw-utf8 Neumann TKM102--Neumann家族超"萌"的麥克風 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=536 <p><font size="5" color="#0000ff"><strong>Neumann TLM 102-就是萌!!輕巧可愛，音質超優!!</strong></font><br><img src="http://www.neumann.com/img/photosGraphics/Zooms/TLM102_Z.jpg" border="0" width="554" height="800"><br>輕巧可攜的TLM 102 像極了迷你版的大震膜麥克風,仍然使用了Neumann麥克風一貫的設計與元件，匀稱的外表以及泛光的金屬遮罩讓人一看TLM 102就被完全吸引。<br><br>TLM 102的聲音表現也令人激賞: 她的內部是最新開發的大震膜心型capsule，最大的容許音壓可達144 dB， 這使得她足以勝任打擊樂器, 鼓組, 吉他/Bass音箱以及其他高音壓的訊源。不是特別大聲的樂器也可以享受她快速的暫態反應。 而最重要的使用場合就是人聲的歌唱或是演講; 在6 kHz以上輕微的加強提供了人聲在整理混音中的表現。而直到6 kHz的頻率響應都超級線性平滑, 因此能確保她沒有過多的渲染以及清楚的低頻範圍. capsule本身就有避震裝置來抑制結構性噪音. 防噴麥裝置內建於金屬網罩內可以免除唱歌或演講錄音時收到噴麥聲. <br><br>由於他的高性價比以及多方面的用途, TLM 102 非常適合宅錄以及工作室使用, 當然也適用於廣播,&nbsp;尤其是當視線需要優先看到喇叭時.<br><br>TLM 102 有黑色以及白鐵色可以選擇; mic holder內付. <br><br>以下是她的規格<br><table border="0" cellspacing="0" cellpadding="0" width="100%" class="rowTable"><tr class="rowDark"><td class="text">工作方式</td><td class="text">Pressure gradient transducer</td></tr><tr class="row"><td class="text">指向性</td><td class="text">Cardioid</td></tr><tr class="rowDark"><td class="text">頻率範圍</td><td class="text">20 Hz ... 20 kHz</td></tr><tr class="row"><td class="text">靈敏度(於1 kHz /1 kohm)</td><td class="text">11 mV/Pa</td></tr><tr class="rowDark"><td class="text">額定阻抗</td><td class="text">50 ohms</td></tr><tr class="row"><td class="text">額定負載阻抗</td><td class="text">1 kohms</td></tr><tr class="rowDark"><td class="text">平均CCIR1)</td><td class="text">21 dB</td></tr><tr class="row"><td class="text">平均噪訊, A-weighted1)</td><td class="text">12 dB-A</td></tr><tr class="rowDark"><td class="text">訊噪比, CCIR1) (rel. 94 dB SPL)</td><td class="text">73 dB</td></tr><tr class="row"><td class="text">訊噪比, A-weighted1) (rel. 94 dB SPL)</td><td class="text">82 dB</td></tr><tr class="rowDark"><td class="text">最大音壓for THD 0.5%2)</td><td class="text">144 dB</td></tr><tr class="row"><td class="text">最大輸出電壓</td><td class="text">13 dBu</td></tr><tr class="rowDark"><td class="text">供應伏特數&nbsp;(P48, IEC 61938)</td><td class="text">48 V &plusmn; 4 V</td></tr><tr class="row"><td class="text">電源損耗(P48, IEC 61938)</td><td class="text">3.5 mA</td></tr><tr class="rowDark"><td class="text">連接端子</td><td class="text">XLR3F</td></tr><tr class="row"><td class="text">重量</td><td class="text">approx. 260 g</td></tr><tr class="rowDark"><td class="text">直徑</td><td class="text">52 mm</td></tr><tr class="row"><td class="text">長度</td><td class="text">116 mm</td></tr></table><a href="http://www.neumann.com/img/photosGraphics/Zooms/TLM102_Z.jpg"></a></p> 買Mic送ReflexionFitter??sE超划算bundle抵台!! http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=535 <strong><font size="4"><font color="#0000ff"></font><br>sE Electronics 於2010年發佈4 個傑出新產品，慶祝他們的10th 週年慶，已經限量抵台</font></strong><font size="4"><img src="http://www.seelectronics.com/images/imagelibrary/sERN_Group_sm.jpg" border="0" width="253" height="134"></font><br>sE於2009聖誕節發佈四項撼動業界的新產品。<br>&nbsp;&nbsp;sE的MD James Ishmaev-Young說：&quot;經過一年的計畫以及研發最佳以及最有競爭力的搭配組合，我們認為我們找出了4個不論在性能以及價位上都無懈可擊的產品&quot; <p style="margin: 0cm 0cm 0pt" class="MsoNormal"><br>&nbsp;</p>當其他的公司在忙於把舊庫存跟滯銷品組合來提振業績時，我們已經把目標放在以最重要的價格觀點考量，然後設計、製造以及組合在有限預算內最適合消費者需求的商品。&nbsp;&nbsp;<strong><font size="4" color="#0000ff">sE X1</font></strong> &ndash;<img src="http://www.harmony-central.com/ProductImages/sE-Electronics-Releases-4-Products-Leading-up-2010-and-Their-10th-Anniversarys/large-X1_DET_2_.jpg" border="0" width="512" height="768"> <br><br>X1是一支大震膜的電容是麥克風，兼具酷炫與性感，他的震膜一樣是在sE自己的上海工廠手工打造，具備10dB衰減開關、低頻滑落開關，目前沒有任何一個品牌能在這個價位製造出同等級的手工麥克風。都靠委推代工或是大量機器生產，X1 預定賣價120歐元，是低價麥克風內兼具品質與表現的新指標。&nbsp;&nbsp;<font size="4" color="#0000ff"><strong>sE 工作室專用反射過濾罩(Reflexion Filter) <br><hr><img src="http://www.harmony-central.com/ProductImages/sE-Electronics-Releases-4-Products-Leading-up-2010-and-Their-10th-Anniversarys/large-BRF_Front_NEW.jpg" border="0" width="825" height="768"><br></strong></font>由於Relflxion Filter在市場的成功，並成為工業標準，sE 也針對市場上許多低價卻沒有效率的廉價代工產品做出回應，發佈了新版本的產品，從來沒有人能夠降低成本開發出具備原來RF能力的產品，因為他們會拿掉一些影響RF本身功能的關鍵元件 ，這使得許多仿冒商品看似雷同，實則差異很大!&nbsp;sE 不使用這種方法，而是重新去開發出價格比RF標準版便宜，但又遠比廉價的仿冒品表現好很多的新產品，使得工作室的用戶可以用低廉的價格獲得接近RF表現， 歐洲上是以來已經售出5萬套! &nbsp;工作室版本的RF使用同樣的基礎設計，但減少一般版的多層與空間的設計，使用與一般版RF內部同樣的聚酯纖維，新的工作室版本RF使用高密度的玻璃棉用特倏地角度彎曲排列，比一般的吸音棉效果好許多，.這個RF家族的新成員市場見識售價會在120歐元以內，撼動市場行情!&nbsp;&nbsp;&nbsp;&nbsp;<br><br><br><br><strong><font size="5">sE 同時也發佈了2 個新的組合</font></strong><br><br><strong><font size="4" color="#0000ff">sE X1 以及工作室RF組合</font></strong> &ndash; <font size="4" color="#ff0000">定價13XXX，賣價更誘人，組合價直接下殺七折!</font>&nbsp;&nbsp; <p style="margin: 0cm 0cm 0pt" class="MsoNormal"><font size="4" color="#0000ff"><strong>C/P最高的sE2200a 以及Reflexion Filter組合-</strong><font color="#ff0000">定價26XXX，賣價低於2萬，組合價直接下殺五折!</font></font></p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;要欣賞更多圖片<br><a href="http://www.seelectronics.com/imagelibrary.html">www.seelectronics.com/imagelibrary.html</a>&nbsp;&nbsp;&nbsp; 全鋼琴觸鍵88Key主控鍵盤：AKAI MPK88隆重登台 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=534 <font color="#800000">AKAI首度進軍鋼琴觸鍵領域</font><br><font size="5" color="#0000ff">台灣製造，品質保證</font><br>AKAI MPK88-全重鍵88-Key鋼琴鍵盤<br><img src="http://www.akaipro.com/stuff/contentmgr/files/20/6af620cb1974cb1c3b3f767cab3347c0/medium/mpk88_web_angle_med.jpg" border="0" width="460" height="288"><br><br><p><strong><font size="3" color="#0000ff">鋼琴觸鍵，製作功能強大</font></strong></p><br><p>Akai Professional MPK88 是具備MPC製作控制能力的鋼琴主控鍵盤，MPK88的設計源自AKAI非常普及的MPK49主控鍵盤，也是第一台具備MPC打擊墊的主控鍵盤。這類鍵盤首重現場演奏, 首先，優質的全重式鋼琴觸鍵，附加有MPC打擊墊， Q-Link控制以及擷取自MPC技術的其他功能。MPK88不只專為舞台設計，也同時適用於居家以及工作室。<br><br><strong><font size="3" color="#0000ff">創意的輸入能力</font></strong><br>MPK88具備88組鋼琴鍵以及16組MPC打擊墊。這個全重式鍵盤具備Aftertouch，有表情豐富的旋律控制力，MPC打擊墊具備力度與壓力感應能充分捕捉你的每一個音樂靈感. 打擊墊可以指定四組Bank的音色，所以你可以任意選擇64組取樣的任何一組使用。 <br><br>MPK88 具備實用的傳輸控制功能，可以讓你輕鬆的選擇並控制最重要的軌道以及編輯的參數。MPK8具備調變與音高轉輪讓你控制音樂的表情， 兩組可以指派的腳踏踏板輸入讓你可以連接音量踏板或是其他連續控制器，或是連接瞬間的切換控制如音色改變或是啟動/停止。<br><br><strong><font size="3" color="#0000ff">Q-LINK 指令</font><br></strong>在MPC上最重要的輸入設計之一就是Q-Link的可指派控制部分。 Akai Pro 把非常大量的Q-Links組合放入MPK系列當中，MPK88給予你8組可供指派的旋鈕讓你可以控制幾乎任何軟體的任何參數。利用他可切換的Bank設計，你可以在一個旋鈕上控制3組不同的參數，總共24 組即時的參數隨觸可得， 跟旋鈕類似的8組推桿以及8個按鍵也是透過Bank來切換功能，所以你等同於具備了24組虛擬的推桿、旋鈕與按鍵，這是72組的Q-Link controls!<br><br><br><strong><font size="3" color="#0000ff">表情控制引擎</font></strong><br>有兩個先驅的技術植入在MPC系列內部，並且內建於MPK系列，就是MPC的Note Repeat(音符重複)以及MPC Swing(搖擺節奏)， 這些修改音符的特性在過去二十年來幾乎可以在所有的流行音樂裡面都可以聽得到. MPC Note Repeat 是一種讓MPK (或是MPC)能夠自動彈奏節奏樂句的能力 ，比如說像Hi-Hat的16分音符，可以讓你準確無誤的輸入， MPC Swing 有時會被當成是hip hop音樂的核心與靈魂，因為他把很規律的編曲轉換成人性化的搖擺節奏，你可以精確的指定你所希望的搖擺的程度以及切分時間點。讓你的節奏更完美呈現。<br><br>MPK88具備鍵盤分離能力，讓你可以在鍵盤上控制兩組不同的音色，透過MPC的領先技術，MPK88具備他自己的琶音器(arpeggiator)，讓你可以快速創作出樂句， 只要在琶音的資料庫內選擇一組音符、節奏或是和弦，MPK 就會透過這組琶音器來演奏你所選擇的節奏或是旋律。<br><br>MPK88同時具備MPC&nbsp;全階 以及MPC 16階的打擊墊，同時具有Tap Tempo(手控速度) 以及Time Division（時間切分)功能讓你可以 讓你可以精確表現你腦中想要的速度、切分與動態。<br><br><br><font size="3"><font color="#0000ff"><strong>完整的系統</strong><br></font></font>MPK88當然也是一組MIDI控制器，透過 USB端子傳送Midi訊號，他可以透過USB供電，所以所以你所需要的只是連接USB線，開啟MPK88。因為他跟MIDI格式相容，所以MPK88可以讓音樂演出者如鍵盤手、製作人、DJ乃至VJ，都可以使用他來錄製MIDI，編曲並且演奏!<br><br><br>The MPK88內建有Ableton Live Lite Akai專用版， 是世界上最普遍並強大的音樂編輯/播放軟體之一， Ableton Live Lite讓音樂人可以在各種聲音/Midi環境下即刻作曲、錄音、remix、即興並且編輯音樂的想法。<br><br><font size="3" color="#0000ff"><strong>這是唯一一台設計來讓你用時下音樂的作法演奏的鍵盤!!</strong></font><br><br><img src="http://www.akaipro.com/stuff/contentmgr/files/21/612fb8c42fe0d7df553a573054cc6fe2/medium/mpk88_ortho_med.png" border="0" width="460" height="288"><br><br><font size="3" color="#0000ff"><strong>主要特性</strong></font></p><ul><li>88全重鋼琴感應觸鍵，具備Aftertouch讓你可以表現音樂性。<br></li><li>16組智慧MPC打擊墊，具備壓力與力度感應。<br></li><li>MPC 打擊墊具備四組音色庫，可以同時指定64組取樣。<br></li><li>控制高達72組軟體參數，以及24組可分派的Q-Link 旋鈕、按鍵以及推桿。<br></li><li>Key Split 分離鍵盤，讓你可以同時演奏兩組不同音色。<br></li><li>MPC Note Repeat, MPC Swing, 以及arpeggiator輔助你的創意執行。<br></li><li>傳輸控制能力讓你可以控制軟體及DAW系統。<br></li><li>MPC 全階, MPC 16階, Tap Tempo,以及Time Division 讓你控制速度與動態。<br></li><li>MIDI USB端子， USb供電, 標準的相容性: 透過一條USB線隨插即用。<br></li><li>內附Ableton Live Lite Akai Edition軟體。<br></li><li>幾乎相容於所有MIDI 錄音、編曲以及演奏軟體。</li></ul><br><p><strong><font size="3" color="#0000ff">產品內含</font></strong></p><ul><li>MPK88 keyboard controller<br></li><li>USB cable<br></li><li>Software CD<br></li><li>Quick Start guide <br></li><br></ul> VGL世界巡迴：電玩與交響樂的感官饗宴-12/16邀您親身體會 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=533 <img src="http://www.soundsmartart.com/public/files/news/thumb/N00073S53954553.gif" border="0" width="150" height="90"><font size="5" color="#008000"><strong>配樂從業者不可錯過的一場盛會<img src="http://www.soundsmartart.com/public/files/news/thumb/N00073S53954553.gif" border="0" width="150" height="90"></strong></font><br><font size="3">由</font><a href="index.php"><img src="http://www.soundsmartart.com/images/top_01.jpg" border="0" alt="聲碼數位藝術" width="262" height="75"></a><u><font size="3" color="#0000ff">聲碼數位藝術</font></u><a href="index.php"></a><font size="3"><u><font color="#0000ff">(Soundsmart Digimusic &amp; Art)</font></u>主辦的</font><a href="http://blog.yam.com/VGLTAIWAN/article/24027098"><font size="4" color="#99ff00">VGL亞洲巡演十月暴雪【BLIZZARD】</font></a><font size="3">活動。<br><br>是一場結合<strong><font color="#0000ff">遊戲/Cosplay/管弦樂團/聲光音效/舞台演出</font></strong>的大型音樂會。</font><br><br><img src="http://pics12.blog.yam.com/19/userfile/V/VGLTAIWAN/blog/14ab147d9002b3.jpg" border="0" width="300" height="225"><br>三個大螢幕的舞台設計<br><br><font size="3">由全球知名的 VGL 電玩交響音樂團隊擔任製作演出，以及受到玩家喜愛的《</font><a href="http://acg.gamer.com.tw/search.php?encode=utf8&amp;kw=%E9%AD%94%E7%8D%B8%E4%B8%96%E7%95%8C"><font size="3" color="#3096f0">魔獸世界</font></a><font size="3">》、《</font><a href="http://acg.gamer.com.tw/search.php?encode=utf8&amp;kw=%E6%98%9F%E6%B5%B7%E7%88%AD%E9%9C%B8+2"><font size="3" color="#3096f0">星海爭霸 2</font></a><font size="3">》、《</font><a href="http://acg.gamer.com.tw/search.php?encode=utf8&amp;kw=%E6%9A%97%E9%BB%91%E7%A0%B4%E5%A3%9E%E7%A5%9E+3"><font size="3" color="#3096f0">暗黑破壞神 3</font></a><font size="3">》等作品為主要內容，動用大型交響樂團與合唱團，並加入來自好萊塢團隊設計的極致聲光多媒體互動特效。<br></font><br><img src="http://pics12.blog.yam.com/19/userfile/V/VGLTAIWAN/album/14ab1238f5845e.jpg" border="0" width="600" height="346"><br><br><font size="3">VGL 過去一年中共來台演出三次，<u>每次均締造吸引數千至數萬人的感動觀賞</u>，已成為台灣音樂演出活動的話題事件，此次 VGL 展開下半年度亞洲巡演，從北京、東京、上海、香港，更於巡演壓軸的台北場特別推出「BLIZZARD」的特別主題，將是一場值得大家關注的遊戲與音樂結合活動。<br><img src="http://www.soundsmartart.com/public/files/news/thumb/N00073S53954553.gif" border="0" width="150" height="90"><br>特別邀請到兩位國際遊戲音樂界重量級來賓，一位是美國Blizzard總公司音樂總監Russell Brower，另一位是日本著名電玩音樂家，同時也是知名遊戲<strong>《</strong>潛龍諜影<strong>》</strong>(Metal Gear Solid)的作曲家Hibino Norihiko同台演出，演出樂團除邀約&lt;台北愛樂管弦樂團&gt;的菁英演奏家外，更與&lt;國立臺南藝術大學&gt;音樂系與管弦樂團合作，擴大樂團編制與藝術深度表現。<br></font><br><img src="http://www.facebook.com/profile/pic.php?uid=AAAAAQAQdDiqLg1mnm_rYDc-hHfMrwAAAAlCBpwje16-vbKvV5D8UQDF" border="0" width="200" height="253"><img src="http://www.facebook.com/profile/pic.php?uid=AAAAAQAQwpWc1hQy2ubLySa5HfhAiwAAAAo7yk-RX6-HHxazrXJewuyF" border="0" width="150" height="193"><br>Russell Brower&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hibino Norihiko<br><br><br><font size="3">此次活動幕後推手，係由創作曾多次入圍國際影展與金馬、金鐘、金曲獎，更獲得三座金馬獎最佳電影音樂獎項、金曲獎最佳跨界專輯的史擷詠教授所發起，結合遊戲產業界、古典與流行音樂界以及學界共襄盛舉，難得的機會可以近距離接觸並感受真實的管弦樂演出，對長期依賴<font color="#0000ff">取樣以及軟體音源</font>的從業人員來說，無疑是一場最佳的現場觀摩。<br></font><img src="http://www.soundsmartart.com/UserFiles/image/about2_1_pic2.jpg" border="0" width="358" height="280">&nbsp;&nbsp;&nbsp; <br><br>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 史擷詠教授<br><strong><font size="5"><br><br><img src="http://www.soundsmartart.com/public/files/news/thumb/N00073S53954553.gif" border="0" width="150" height="90"><br>演出資訊：<br><br></font></strong>　　主辦單位：聲碼數位藝術02-2651-5826<br>　　協辦單位：國立台南藝術大學<br>　　演出者：VGL、Hibino Norihiko、台北愛樂管弦樂團、台南藝術大學<br>　　演出時間：2009/10/17(六) 19:30<br>　　演出地點：臺大綜合體育館三樓<br><br>　　票價：800/1200(視線影響區) /1400/1800/2000/ 2200/ 2600/3200/3800<br><br><font size="3">如欲了解更多活動內容，請至<br></font><font color="#0000ff">聲碼數位藝術官方網站:http://www.soundsmartart.com/<br>VGL台灣官方部落格:http://blog.yam.com/user/VGLTAIWAN.html</font> Novation再造奇蹟--Nocturn 25/49驚奇登場 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=532 <p><strong><font size="4" color="#003366">低價鍵盤即將掀起大革命!!Nocturn 25/49鍵盤驚喜上市!!</font></strong><br><img src="http://www.novationmusic.com/product_image/normal/44.jpg" border="0" width="727" height="650"></p><div class="section_title_text"><br><font size="3" color="#ff6600"><strong>主要特性</strong></font></div><div id="SECT0" class="product_section_text"><strong>高品質的專業鍵盤</strong><br>&bull; Velocity-sensitive, keyboard from Fatar, with assignable after-touch. The Nocturn Keyboard feels like playing an instrument rather than a computer peripheral.<br><br><strong>明亮的控制，即時的視覺化回應<br></strong>&bull; Brightly lit 11 segment LED rings around the eight smooth encoders, and backlit buttons throughout provide instant visual feedback for every physical control.<br><br><strong>觸控感應式旋鈕</strong><br>&bull;&nbsp; All 8 oversized encoders are touch sensitive, bringing up mapping information and allowing you to &lsquo;touch&rsquo; in automation data on DAW&rsquo;s with a &lsquo;touch&rsquo; mode.<br><br><strong>自動對應學習式控制</strong><br>&bull; Allows you to instantly 'learn' controllers to plug-ins. The GUI graphically displays Nocturn Keyboard's control surface on your computer monitor, enabling you to see exactly what is assigned to what, without using a tiny LCD screen. <br><br><strong>8組力度感應式打擊墊<br></strong>&bull;&nbsp;Nocturn Keyboard features 8 'softfeel' velocity sensitive drum pads. These can do more than just trigger notes and sketch drum patterns, all can be assigned to control software parameters.<br><br><strong>總共33組可指派MIDI控制<br></strong>&bull;&nbsp;8 trigger pads, 8 dials, 14 buttons, modulation wheel. Sustain and expression pedal control can also be added.<br><br><strong>快速的SpeedDial控制旋鈕</strong><br>&bull;&nbsp;The 9th encoder is a unique 'Speed Dial' which allows you to instantly change the value of any parameter the cursor is pointing at, with no assignment needed whatsoever.<br><br><strong>USB 供電</strong><br>&bull;&nbsp;Nocturn Keyboard is powered by USB saving valuable plug sockets. It can also be powered down without being unplugged, preserving battery power in laptops.<br><br><br></div><div class="section_item"><div class="section_title"><div class="section_title_text"><strong><font size="3" color="#ff6600">概觀</font></strong></div></div><div id="SECT1" class="product_section_text"><img src="http://www.novationmusic.com/section_image/3193.jpg" border="0" alt="Overview image"><br>Nocturn Keyboard is an intelligent plug-in/sequencer controller. It has a high quality 'Fatar' keyboard, with 8 drum pads and a total of 33 assignable controls, which allow you to get hands-on control of your plug-in instruments, effects and sequencer. <br><br>Most keyboard controllers have two big problems: The idea of being able to control software parameters with knobs and buttons sounds great. However, the hassle of assigning them, and remembering what they are assigned to becomes so tedious that you always end up turning back to your mouse. <br><br>Nocturn Keyboard's Automap control software solves both these problems. To assign controllers, simply click on the parameter, touch a knob or button, and it is assigned! It also enables you to keep track of what is assigned to what - instead of using a small monochrome LCD screen, Nocturn Keyboard displays control information where you really need it: on your computer monitor. The Automap software graphically displays Nocturn&rsquo;s control surface. The controllers themselves also tell you what is going on: LED rings around the 8 encoders show their current settings, and LED&rsquo;s behind the buttons tell you if they are on or off. </div></div><div class="section_item"><div class="section_title"><div class="back_top"><a onclick="window.scrollTo(0,0)">Back to top</a></div><div class="section_title_text">Automap</div></div><div id="SECT2" class="product_section_text">Apart from from high quality hardware, what really sets Nocturn Keyboard aside is the Automap control software. Automap is now even more powerful and easy to use. Nocturn Keyboard ships with Automap standard, which acts as a software interface for the unit. <br><br><strong>即時的指派控制<br></strong>Automap enables you to map parameters in your software plug-ins, straight to dials and buttons on the controller by simply clicking on a parameter, then touching the controller. There is no longer any need to sift through long lists of MIDI continuous controller numbers. This applies to encoders, control-buttons, drumpads, modulation wheel, sustain and expression pedals; Automap can instantly assign them all to software parameters. Automap can integrate with Logic, ProTools, Digital Performer and any other HUI compatible sequencers, using the HUI control protocol.<br><br><strong>顯示控制資訊<br></strong>The Automap GUI graphically displays all the controls on Nocturn Keyboard, visually showing you what software parameter is assigned to each control, exactly as it is laid out on the unit. You can also name each control, turning the GUI into a giant screen where all information is instantly displayed and updated. With this, there is no need for a tiny LCD screen on the unit, which can only display very limited information.<br><br><strong>自動對應Mapping</strong><br>Automap will automatically assign knobs and buttons to parameters on a huge number of the most popular plug-ins. We are constantly building more maps which are available on the community pages of the Novation website. Nocturn Keyboard will automatically assign controllers to mixer and transport functions in all major DAWs/sequencers. </div></div><div class="section_item"><div class="section_title"><div class="back_top"><a onclick="window.scrollTo(0,0)">Back to top</a></div><div class="section_title_text">DAW Control </div></div><div id="SECT3" class="product_section_text">Nocturn Keyboard can be set up for use as a serious DAW/sequencer controller, as well as its ground-breaking Automap control of all VST/AU/RTAS/TDM plug-ins. See below for details of how Nocturn integrates with major DAWs. <br><br><br><strong>Ableton</strong><br>Transport Control: Yes<br>Mixer Control: Yes, using Ableton's 'learn' mode<br>Further Control: More features can be controlled with Nocturn Keyboard via Ableton's 'learn' mode. <br><br><strong>Pro Tools</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br>Further Control: All Pro Tools' RTAS and TDM plug-ins can be instantly controlled with Automap<br><br><strong>Record/Reason</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br>Further Control: All native instruments and effects can be instantly controlled with Automap<br><br><strong>Logic</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br>Further Control: All native instruments and effects can be instantly controlled with Automap<br><br><strong>Cubase</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br><br><strong>Sonar</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br><br><strong>Reaper</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br><br><strong>DP</strong><br>Transport Control: Yes<br>Mixer Control: Yes<br><br><strong>Traction</strong><br>Transport Control: Yes<br>Mixer Control: Yes </div></div><div class="section_item"><div class="section_title"><div class="back_top"><a onclick="window.scrollTo(0,0)">Back to top</a></div><div class="section_title_text">Specifications</div></div><div id="SECT4" class="product_section_text">Physical controls<br><br><strong>可指派控制:<br></strong><br>&bull;&nbsp;8 Encoders (Infinite Rotation) with touch-sensitivity and 11 segment Led rings<br>&bull;&nbsp;Touch sensitive Speed Dial<br>&bull;&nbsp;14 Buttons with integrated LEDs, 6 of which are lockable transport controls<br>&bull;&nbsp;8 soft feel Trigger pads<br>&bull; Sprung pitch wheel<br>&bull; Modulation wheel<br><br><strong>系統按鍵:</strong><br><br>&bull; General Automap Operation Buttons (Learn, View, Browser Groups etc.)<br>&bull; Octave up/down buttons with LED indicator <br>&bull; Button to lock/unlock transport controls<br><br><strong>連接端子</strong><br>Rear Panel connections are as follows:<br><br>&bull; Data Port: 1 x USB (Win XP/Vista and Mac OSX) &ndash;Class Compliant<br>&bull; Sustain Pedal: 1 x 1/4 Jack Input <br>&bull; Expression pedal: 1 x 1/4 Jack Input <br>&bull; Power switch: USB <br><br><strong>系統需求:</strong><br><br>Mac OSX 10.4.11 or greater (Leopard also supported) or Windows XP with<br>Service Pack 2 or greater (Vista 32/64 also supported)<br><br>Minimum Computer spec: Mac - G4/1GHz, both with 512MB RAM or PC -<br>Pentium 4/1GHz/512MB RAM (machines running Vista will require a higher spec)<br><br><strong>介面:</strong> <br><br>USB 1.1 and USB 2.0 compatible <br><br><strong>尺寸</strong><br><br>Size (25 key): W=472mm, H=68mm, D=260mm <br>Size (49 key): W=798mm, H=68mm, D=260mm <br><br><br><strong>重量</strong><br><br>25 key net weight&nbsp;: 2.4kg<br>49 key net weight: 3.8kg<br></div></div><a href="http://www.novationmusic.com/banners/11.jpg"></a> MidiMall代理M-Audio全系列產品 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=531 <font size="4" color="#800000"><strong><img src="http://www.m-audio.com/images/interface/default2008/m-audio-logo.gif" border="0" width="136" height="34"><img src="http://www.m-audio.com/images/global/media_logos/MAudio_20th-anniv_logo_mini.jpg" border="0" width="47" height="53"><br>M-Audio開放代理，10月起正式供貨，歡迎全省經銷商跟MidiMall洽詢<br>(安心選購，價格不會變高)<br><br></strong><div id="titlesup"><font color="#333399"><strong>控制鍵盤系列<br><br></strong><img src="http://www.m-audio.com/images/global/banners/axioms.gif" border="0" width="468" height="60"><br></font></div><div id="middlecontent2"><div id="oneone-L2"><div id="productsbox-L2"><div class="products-title-L2"><font size="2">Axiom Advanced Semi-Weighted Action USB MIDI Keyboard Controllers with Rotary Encoders and Trigger Pads</font></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/AxiomPro25.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/AxiomPro25_th.jpg" border="0" alt="Axiom Pro 25"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2" color="#464646"><strong>Axiom Pro 25<br></strong></font><strong><font color="#646464"><font size="2">Advanced 25-Key USB MIDI Controller with HyperControl Technology</font><br></font></strong></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/AxiomPro49.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/axiom49Pro_th.jpg" border="0" alt="Axiom Pro 49"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Axiom Pro 49<br></strong></font><strong><font color="#646464">Advanced 49-Key USB MIDI Controller with HyperControl Technology</font>&nbsp;</strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/AxiomPro61.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/axiomPro61_th.jpg" border="0" alt="Axiom Pro 61"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Axiom Pro 61<br></strong></font><strong><font color="#646464">Advanced 61-Key USB MIDI Controller with HyperControl Technology</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Axiom25.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/axiom25_th.jpg" border="0" alt="Axiom 25"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Axiom 25<br></strong></font><strong><font color="#646464">Advanced 25-Key Semi-Weighted USB MIDI Controller</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Axiom49.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/axiom49_th.jpg" border="0" alt="Axiom 49"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2" color="#464646"><strong>Axiom 49<br></strong></font><strong><font size="2" color="#646464">Advanced 49-Key Semi-Weighted USB MIDI Controller<br></font></strong><a href="http://www.m-audio.com/products/en_us/Axiom61.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/axiom61_th.jpg" border="0" alt="Axiom 61"></strong></a><strong> </strong></div></div><div id="eachbox1-L2"><div class="txt-L2"><font size="2" color="#464646"><strong>Axiom 61<br></strong></font><strong><font size="2" color="#646464">Advanced 61-Key Semi-Weighted USB MIDI Controller</font>&nbsp;</strong></div></div><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/bottomboxes-l2.gif" border="0"> </strong></div><div id="productsbox-L2"><div class="products-title-L2"><font size="3"><strong>Oxygen USB MIDI Keyboard Controllers with Assignable MIDI Controls</strong></font></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Oxygen8v2.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/Oxy8_v2_th.jpg" border="0" alt="Oxygen 8 v2"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Oxygen 8 v2<br></strong></font><strong><font color="#646464">25-Key USB MIDI Controller</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Oxygen49.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/oxygen49_th.jpg" border="0" alt="Oxygen 49"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Oxygen 49<br></strong></font><strong><font color="#646464">49-Key USB MIDI Controller</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Oxygen61.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/oxygen61_th.jpg" border="0" alt="Oxygen 61"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2" color="#464646"><strong>Oxygen 61<br></strong></font><strong><font color="#646464"><font size="2">61-Key USB MIDI Controller</font><br></font></strong><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/bottomboxes-l2.gif" border="0"> </strong></div></div></div><div id="productsbox-L2"><div class="products-title-L2"><font size="3"><strong>Keystation Professional Weighted and Semi-Weighted Action MIDI Keyboard Controllers</strong></font></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Keystation61es.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/keystation_61es.jpg" border="0" alt="Keystation 61es"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>Keystation 61es<br></strong></font><strong><font color="#646464">61-Key Semi-Weighted USB MIDI Controller</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/Keystation88es.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/keystation88es_small.jpg" border="0" alt="Keystation 88es"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2" color="#464646"><strong>Keystation 88es<br></strong></font><strong><font color="#646464"><font size="2">88-Key Semi-Weighted USB MIDI Controller</font><br></font></strong><a href="http://www.m-audio.com/products/en_us/KeystationPro88.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/Keystation_Pro_88.jpg" border="0" alt="Keystation Pro 88"></strong></a><strong> </strong></div></div><div id="eachbox1-L2"><div class="txt-L2"><font size="2"><font color="#464646"><strong>Keystation Pro 88<br></strong></font><strong><font color="#646464">88-Key Hammer-Action USB Bus-Powered Master MIDI Controller</font></strong></font></div></div><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/bottomboxes-l2.gif" border="0"> </strong></div><div id="productsbox-L2"><div class="products-title-L2"><font size="3"><strong>KeyRig Synth-action USB MIDI Keyboard and the Award-winning Key Rig Software</strong><br><img src="http://www.m-audio.com/images/global/banners/rigs_software_468x60.gif" border="0" width="468" height="60"><br></font></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/KeyRig25.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/keyrig25_th.jpg" border="0" alt="KeyRig 25"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>KeyRig 25<br></strong></font><strong><font color="#646464">Easy-to-Use 25-Note USB Keyboard</font></strong></font></div></div><div id="eachbox1-L2"><div class="imagen-L2"><a href="http://www.m-audio.com/products/en_us/KeyRig49.html"><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/back-products.gif" border="0"><img src="http://www.m-audio.com/images/global/product_pics/th/keyrig49_th.jpg" border="0" alt="KeyRig 49"></strong></a><strong> </strong></div><div class="txt-L2"><font size="2"><font color="#464646"><strong>KeyRig 49<br></strong></font><strong><font color="#646464">Easy-to-Use 49-Note USB Keyboard</font></strong></font></div></div><strong><img src="http://www.m-audio.com/images/interface/default2008/familypage/bottomboxes-l2.gif" border="0"> </strong></div></div></div></font> 廣播級監聽再現江湖 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=530 <br><div align="center"><p><img src="http://www.avantelectronics.com/AVANTO10.jpg" border="0" width="173" height="46">&nbsp;</p><p><font color="#800080"><img src="http://www.avantelectronics.com/images/mixcubes.png" border="0" width="182" height="50"></font></p></div><p><font color="#800080"><br><img src="http://www.avantelectronics.com/New-20-june.gif" border="0" width="76" height="41">廣播級監聽喇叭新千喜年再現</font>&nbsp;</p><div align="center"><br><p><font size="4" color="#0000ff">AVANTONE MixCube，防磁全音域錄音室迷你監聽喇叭</font></p></div>&nbsp;<img src="http://www.avantelectronics.com/01gray%20site%20size.jpg" border="0" width="696" height="472"><br><font color="#003300"></font><font color="#003300"><div align="center"><font color="#003300">過往25年用於主要錄音室的Aurotane 5C Soundcubes重現 .</font></div></font><br>&nbsp;<br><strong><font color="#ff0000"><table border="0" align="center" style="width: 690px"><tr><td class="style5"><h><font face="Arial Black" size="4" color="#ff0000">APPLICATION</font></h><p class="style102" align="left"><strong>Active Recording / Mixdown Monitors</strong></p><p class="style73" align="left">&nbsp;</p></td></tr><tr><td class="style5"><strong><font color="#ff0000"><font face="Arial Black" size="4">ENGINEERING OBJECTIVE</font><br></font></strong></td></tr><tr><td class="style5"><div class="style78"><strong>The Avantone Active Mixcubes are designed to be&nbsp; high-resolution, full-range powered mini-reference monitors for fixed or remote locations.<br><br>The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.</strong></div><p class="style5"><font size="4" color="#ff0000">PERFORMANCE OBJECTIVE</font></p><font color="#000000">Studios primarily use 2-way &amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. <font size="2">However, in this newly developing age of High Definition Audio, there is <u>still</u> a need to <u>also</u> hear what your mix will sound like when played back over small &ldquo;bass-challenged&rdquo; systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. </font><strong>Ten months of R&amp;D comparative listening &amp; tweaking went into the voicing of the <em>A</em><font size="2">VANTONE </font>MixCubes<font size="2">.</font> </strong><font size="2">The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes </font>have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.<font size="2"> </font></font></td></tr><tr><td class="style5"><font size="4" color="#ff0000"><strong>Cabinet Design</strong></font><font><font size="2"><strong><font color="#000000">The <em>original&nbsp; 5C Sound Cubes&trade;&nbsp;</em> were made of &frac12;&rdquo; particleboard covered with a glue-on wood grain contact paper.</font></strong></font></font><font size="2"><font color="#000000"><strong> We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. <font>We started with a 165mm (6 1/2&quot;) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss &ldquo;RETRO-CREAM&rdquo; finish. The <em>originals </em>had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. </font><font>Additionally, for creative mounting situations, we recessed an industry standard 5/8&rdquo;-27 mic stand mount into the base.</font></strong> </font></font><font size="4" color="#ff0000"><strong>Driver Design</strong></font><font size="2"><strong><font color="#000000"><font>The <em>originals</em> were a basic 5&rdquo; stamped frame design. We designed a proprietary 5.25&rdquo; die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. </font><font><font>The paper cone, chosen for its musical character, is custom designed &amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight &amp; rigidity. </font></font><font>The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 <em>low carbon steel</em> enabling the highest modeled flux density in the gap. </font></font></strong><strong><font color="#ffff99"><font color="#000000">The magnets are Y- 40 GRADE (MIL-SPEC)&nbsp;yielding a 43oz. High Power-low distortion motor structure</font>.</font></strong> </font><font size="4"><font color="#ff0000"><font face="Arial Black">Amplifier Design</font></font></font><strong>We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates &ldquo;overkill&rdquo; concepts in component selection as well as safety. The result is a &ldquo;no-compromise&rdquo; amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.</strong> <p class="style98">REAR PANEL CONTROLS/CONNECTIONS</p><font size="2"><font face="Arial"><font color="#ff0000"><strong><em>&middot;</em></strong><strong>&nbsp;</strong></font></font><strong><strong><font color="#ff0000"><font face="Arial"> </font><font face="Arial Black">BALANCED INPUT:</font></font></strong><strong><font face="Arial"> </font></strong></strong><font face="Arial"><font color="#000000"><strong>This &ldquo;combo XLR&rdquo; input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS &frac14;&rdquo; or a 2 conductor UNBALANCED TS &frac14;&rdquo; male plug. For unbalanced operation with a TS connector the </strong><em><strong>minus </strong></em><strong>signal is automatically grounded.</strong></font></font></font><font size="2"><font face="Arial"><font color="#ff0000"><strong><em>&middot;</em></strong><strong> </strong></font></font><strong><font color="#ff0000"><font face="Arial">&nbsp;</font><font face="Arial Black">SYSTEM GAIN:</font></font><font face="Arial" color="#000000"> </font></strong><font face="Arial"><font color="#000000"><strong>This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. </strong><em><strong>Please Note</strong></em><strong>&hellip; when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.</strong></font></font></font><font size="2"><font color="#ff0000"><font face="Arial"><strong><em>&middot;</em></strong><strong>&nbsp; </strong></font><strong><font face="Arial Black">ON/OFF Switch: </font></strong></font><font face="Arial"><font color="#000000"><strong>This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. </strong></font></font></font><font size="2"><font color="#ff0000"><font face="Arial"><strong><em>&middot;</em></strong><strong>&nbsp; </strong></font><strong><font face="Arial Black">AC INPUT:<font color="#000000"> </font></font></strong></font><font face="Arial"><font color="#000000"><strong>This input is </strong><u><strong>only</strong></u><strong> to be use with the proprietary </strong><em><strong>A</strong></em><strong>VANTONE Power Supply. Tighten the cable/connector securely for reliable operation. </strong><strong>Note:</strong><strong> There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location.</strong></font></font></font><font size="2"><font color="#ff0000"><font face="Arial"><strong><em>&middot;</em></strong><strong>&nbsp; </strong></font><strong><font face="Arial Black">GROUND LIFT Switch:<font color="#000000"> </font></font></strong></font><font face="Arial"><font color="#000000"><strong>By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.</strong><strong></strong></font></font></font> <p class="style5"><font face="Arial Black" size="5" color="#ff0000">PLACEMENT</font></p><p align="left"><strong><font size="2"><font color="#000000">When positioning the AVANTONE <font face="Arial">MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. <font>Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.</font></font></font></font></strong></p></td></tr></table></font></strong><br><p align="center"><strong><font face="Times New Roman" size="2" color="#ff0000"><a href="http://72.14.253.104/search?q=cache:tX1pdkYIKjwJ:emusician.com/monitors/emusic_avant_electronics_avantone_mixcubes/+avant+electronics&amp;hl=en&amp;ct=clnk&amp;cd=4&amp;gl=us">click here for :</a></font></strong><a href="http://72.14.253.104/search?q=cache:tX1pdkYIKjwJ:emusician.com/monitors/emusic_avant_electronics_avantone_mixcubes/+avant+electronics&amp;hl=en&amp;ct=clnk&amp;cd=4&amp;gl=us"> <font color="#ff0000"><font face="Arial Black" size="5">ELECTRONIC MUSICIAN</font> <strong><font size="4">Magazine</font></strong> <strong><font size="4">Feb. 2007</font></strong></font></a></p><p align="center"><strong><font face="Times New Roman" size="2" color="#ff0000"><a href="http://webmail.registeredsite.com/agent/mobmain?mobmain=1">click here for:</a></font></strong><font face="Arial" size="2" color="#ff0000"><a href="http://webmail.registeredsite.com/agent/mobmain?mobmain=1"> </a></font><a href="http://mixonline.com/products/review/audio_snapshot_product_reviews_28/"><font face="Arial Black" size="5" color="#ff0000"><strong>MIX</strong></font><font face="Arial Black" size="4" color="#ff0000"> Magazine&nbsp; Jan. 2007</font></a></p><p align="center"><strong><a href="http://www.eqmag.com/story.asp?sectioncode=39&amp;storycode=15945"><font face="Times New Roman" size="2" color="#ff0000">click here for:</font></a></strong><font face="Arial Black" size="5" color="#000000"><a href="http://www.eqmag.com/story.asp?sectioncode=39&amp;storycode=15945"> EQ<font color="#ff0000"> </font></a></font><a href="http://www.eqmag.com/story.asp?sectioncode=39&amp;storycode=15945"><font face="Arial Black" size="4" color="#ff0000">Magazine</font><font face="Arial Black" size="5" color="#ff0000"> </font><font face="Arial Black" size="4" color="#ff0000">Oct 2006</font></a></p><p align="center"><strong><font face="Times New Roman" size="2" color="#c10000"><a href="http://www.digitalprosound.com/articles/viewarticle.jsp?id=70172">click here for:</a></font><font face="Arial Black" size="5" color="#c10000"><a href="http://www.digitalprosound.com/articles/viewarticle.jsp?id=70172"> DIGITAL PRO-SOUND</a></font></strong> </p><p align="center"><a href="http://209.85.173.104/search?q=cache:eV8oHRZacX0J:www.soundonsound.com/sos/apr07/articles/avantonemixcubes.htm+active+mixcubes&amp;hl=en&amp;ct=clnk&amp;cd=96&amp;gl=us"><strong><font size="1" color="#ff0000">click here for: </font></strong><img src="http://www.avantelectronics.com/nav_logo45.jpg" border="0" width="220" height="49"></a></p>-----------------------------------------------------------------------------------------------------------------------------------------<br><table border="0" class="style86" align="center" style="width: 690px"><tr><td class="style87"><a href="http://www.proaudioreview.com/pages/s.0037/t.14296.html"><em><strong>click here for review in</strong></em> <img src="http://www.avantelectronics.com/par_home_page_logo.jpg" border="0" width="236" height="42"><strong>&nbsp; Magazine by:&nbsp; Rob Tavaglione</strong></a></td></tr></table><br><table border="0" class="style86" style="width: 690px"><tr><td><p class="MsoNormal"><strong><em><font color="#c10000">&ldquo;&hellip;consistently flat in the midrange &mdash; the same characteristics that made the Auratone a valued listening reference. They got plenty loud without distortion and showed off the vocal, snare, toms, upper range of the kick and solo instruments in a number of mixes, just as I expected. I'm a big believer in listening to tracks across a wide range of speakers. The Avantone Active MixCubes offer another chance to evaluate creative studio output and make judgements regarding how my work would translate across a wide range of systems&hellip; these are a no-brainer for those wanting another quick-and-dirty reference to help in the quest for tracks that translate.&rdquo;</font></em></strong></p><strong><em><font color="#c10000">Kevin Becka</font></em></strong><strong><font color="#c10000"><img src="http://www.avantelectronics.com/mix_logo_07.gif" border="0" width="76" height="48">Technical Editor / MIX MAGAZINE</font><font color="#000000"> </font></strong></td></tr></table><br><p align="left"><strong><font face="Arial"><font size="2"><font color="#000000"><em>&quot;...<font> the MixCubes yield a&nbsp; microscopic-style view of critical </font>&nbsp;midrange tracks-such as guitar, keys or vocals-which would fall somewhere along a crossover point on most other monitors. <font>&nbsp; The Avant MixCubes are serious audio tools that fulfill a necessary role in any pro studio setup and at a most&nbsp; reasonable street pricing of $235/pair, there should be some square, butter-cream speakers gracing your&nbsp; meter bridge in the future.&quot;</font></em><br></font></font><font size="4"><em><font>&nbsp;<font color="#000000">George Petersen</font> </font><font color="#000000">&nbsp;</font></em><font color="#000000">Mix Magazine </font></font></font></strong></p><p><strong><font face="Arial"><em><font size="2"><font color="#ffffcc"><font color="#000000">&ldquo;&hellip; as a proxy for bass-challenged consumer playback systems, used alternately with full-bandwidth monitors, the MixCubes provide unique and invaluable insight.&hellip; despite their Lilliputian size and band-limited response, these are not toys or entry-level monitors. The MixCubes are professional tools that provide a highly useful alternate reference when in pursuit of the perfect mix that will translate well to consumer playback systems. Simply put, these are outstanding monitors. What's more, the price is ridiculously affordable. The Avantone MixCubes get my highest recommendation</font>.&rdquo;</font><br></font><font><font size="4"><font color="#000000">&nbsp;Michael Cooper</font> </font></font></em><font size="4" color="#000000">&nbsp;Electronic Musician Magazine </font></font></strong></p><p class="style13"><font color="#000000"><strong><font size="2"><font face="Arial"><em>&ldquo;Back in the 70's we referenced every mix on the Auratone Cubes especially as a final check on bass guitar and kick drum. 30 years later I finally gave them to </em><font><em>the kids because I got a pair of Avantone Mixcubes . We A/B 'd&nbsp; them and the Avantones are much better sounding than the Auratones, less midrange&nbsp; bump and </em></font><em>more accurate.&nbsp; We have already improved our bass sound.&nbsp; We love them!</em><em>&ldquo;</em></font></font></strong> </font></p><div align="left"><font size="4"><font face="Arial"><font color="#000000"> Randy Bachman</font><font color="#000000"><strong> </strong></font></font></font></div><div align="left"><font size="2" color="#000000"><strong> The Guess Who, Bachman-Turner Overdrive, Ringo Starr All Starr Band,Bachman-Cummings </strong></font></div><p class="style13"><em><strong><font size="2"></font></strong></em></p><strong><font size="2"><font face="Arial"><font color="#000000"><em>&quot;I've used them in mastering to check vocal, low end and overall consistency from track to track for 3 years or so. I've suggested them to dozens of clients who have all had great results using them in conjunction with a full range speaker. How far out front is the vocal? How is the kick compared to the bass? How's the image? Hit that Speaker B button, maybe also the Mono button, and off you go...&quot;</em></font></font></font></strong><br><strong><font size="4"><font face="Arial"><em><font><font color="#000000">&nbsp;</font>Bryan Lucey </font></em><font color="#000000">&nbsp;Magic Garden Mastering <br><br></font></font></font></strong><strong><font size="4"><font face="Arial"><font color="#000000"><p class="style15"><strong><font color="#ff0000"><em>--------------------------------------------------------------------------------------------------------------------------------------</em></font></strong> </p><p align="center"><strong><font face="Arial Black" size="5" color="#ff0000">SPECIFICATIONS:</font></strong></p><div><table border="0" class="style16" style="width: 685px"><tr><td class="style54" style="width: 166px" bgcolor="#cc3300"><p class="style48" align="left">&nbsp;<strong>SYSTEM TYPE:&nbsp;</strong></p></td><td class="style7" bgcolor="#ffffcc"><strong>&nbsp;<font size="2">Active (Self-powered) shielded full-range stereo pair </font>&nbsp;</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;FREQUENCY RESPONSE:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;90hz-17,000hz &nbsp;(Accessible Musical Range)</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;DRIVER IMPEDANCE:&nbsp;</td><td class="style2" bgcolor="#ffffcc"><strong>&nbsp;<font size="2">Nominal 8 ohms </font>&nbsp;</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;MAX SPL:</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;104db 1 meter @ 1%THD (PINK NOISE)</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;AMPLIFIER:</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;Class A/B</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;AMP POWER:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;60 watts RMS@ .005% THD (1KHz)&nbsp; </strong><strong>&nbsp;</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;AMP FREQ. RESPONSE:</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;22Hz-50KHz +0dB/- 3dB&nbsp;&nbsp; (90Hz-50KHz +/-0dB)</strong><strong></strong></td></tr><tr><td class="style94" style="width: 166px; height: 10px" bgcolor="#cc3300">&nbsp;NOISE:</td><td class="style54" style="height: 10px" bgcolor="#ffffcc"><strong>&nbsp;S/N -113 dB </strong></td></tr><tr><td class="style105" style="width: 166px; height: 10px" bgcolor="#cc3300">&nbsp;SENSITIVITY:</td><td class="style54" style="height: 10px" bgcolor="#ffffcc">&nbsp;0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL<strong> </strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;COOLING:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;Convection / Heat Sink-Aluminum Fins</strong><strong></strong></td></tr><tr><td class="style54" style="width: 166px" bgcolor="#cc3300">&nbsp;DRIVER:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;Proprietary Design 5.25&rdquo; Cast Aluminum Frame / Paper Cone/Shielded</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;CABINET:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;Sealed design / 18mm MDF<font> / Dacron acoustical stuffing</font> &nbsp;</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;INPUTS:&nbsp;</td><td class="style104" bgcolor="#ffffcc"><strong>&nbsp;XLR &amp; TRS&nbsp;(COMBO JACK) +4/Balanced and -10 unbalanced</strong><strong><strong> </strong></strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;CABINET DIMENSIONS: </td><td class="style54" bgcolor="#ffffcc"><strong>&nbsp;165mm X 165mm X 165mm</strong><strong> ( 6 1/2&quot; x 6 1/2&quot; x 6 1/2&quot; )<tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;CABINET WEIGHT:</td><td class="style54" bgcolor="#ffffcc"><strong>&nbsp;7Lbs 2 oz</strong><strong> / 3.55 kgs&nbsp; </strong><strong>(per speaker)</strong></td></tr><tr><td class="style64" style="width: 166px" bgcolor="#cc3300">&nbsp;WARRANTY: </td><td class="style59" bgcolor="#ffffcc"><strong><font size="2">&nbsp;5 Year Limited Warranty to original purchaser</font></strong><em></em></td></tr><div class="style3"><br><img src="http://www.avantelectronics.com/New%20Active%20MixCubes%20252.jpg" border="0" width="690" height="391"><br><img src="http://www.avantelectronics.com/New%20MixCubes%20p-supply.jpg" border="0" width="341" height="239"><img src="http://www.avantelectronics.com/New%20MixCubes%20p-supply%202.jpg" border="0" width="340" height="239"><br><br><br><br></div><p class="style13">&nbsp;</p></strong></td></tr></table></div></font></font></font></strong> FM白金賞--便宜大碗的真空管Mic就是SE2200T http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=529 <table border="0" cellpadding="15" width="630"><tr align="left"><td width="334" valign="top"><p><strong><img src="http://www.seelectronics.com/navimages/logo.jpg" border="0" width="125" height="112"><font size="4" color="#000080">最低價的手工真空管麥克風<br>榮獲Future Music白金賞推薦<br></font><br>sE Electronics' 2200A在全世界銷售都獲得極大的成功.</strong></p><p>The combination of a crisp top end, robust construction and packaging and, of course, excellent price, is hard to beat.<br>音質外型做工都極優異，價格又實惠，幾乎很難有人能敵<br>&nbsp;<br>So it should come as no surprise that the company has finally reworked the 2200 into a valve-based version: the SE2200T. <br>意料中的，sE自然會推出真空管的版本</p>Overview <p>As you would expect, there are plenty of similarities. First up, the capsule is the same one-inch single large diaphragm, centre-tapped design with fixed cardioid pattern. Also familiar are the 10dB pad, 100Hz optional low-cut filter and transformer-based output stage. But beyond that, the requirements of the valve design mean different internal electronics.</p><p>與2200A相同的1吋大震膜，心型指向， 10dB衰減， 100Hz低切濾波以及變壓輸出。<br>但既然是真空管設計，內部電路自有不同<br><br>The valve is a SE-badged ECC83A and the mic power and audio is handled via a seven-core cable from the SE T1 external PSU. You'll find a standard XLR audio output on the PSU unit. </p><p>使用sE自家的ECC83A真空管<br><br>From a technical perspective, the various differences haven't affected the frequency response too much, with the same characteristic lift as the 2200A around the 10kHz mark. However, the SE2200T's self-noise, sensitivity and maximum SPL handling have been improved along the way.</p><p>和2200A在頻率表現上類似，但自體噪音，靈敏度以及最大承受音壓都有所改進。<br><br><br>It may not be the most visually-stylish mic out there, but you can't fault the build quality of the 2200T, and when you're done recording, everything packs away into a sturdy flight case. It's always good to see a robust suspension cradle thrown in for free - the only thing that may annoy some is the lack of a standard mic clip. </p><br>或許在外型上不是最有型，但製造品質無人能敵，所有元件都可收納於堅固的外箱。<br><br><br>Sound聲音表現<br>&nbsp; <p>Sonically, the 2200T has a modern sound with a slightly-hyped top end. This makes it a great general-purpose mic, but particularly good for vocals, acoustic guitars and anything where you want to add a bit of 'air' at source.</p><p>Like all cardioid mics, the pattern is frequency dependent, and for mid-range sounds this is pretty broad, narrowing in the top-end. In use, we found this made positioning easy, which is ideal in a budget mic.</p><p>聲音現代，適合一般用途，尤其適合想要增加人聲、木吉他以及其他樂器高頻的Air，中頻很寬廣，往高頻漸漸收窄，使得麥克風擺位相對容易。<br><br>As far as the tube aspect is concerned, it's the transients that really benefit, with the tube circuit rounding off and introducing subtle harmonic distortions. Inevitably this is content-dependent, but you'll spot benefits on vocal articulations and plosives and pretty much any percussive sounds, plus a more rounded performance with low frequencies.</p><p>敏銳的諧波失真，有顆粒的聲音，更圓潤的低頻<br><br>Overall, the results are definitely more coloured than a solid-state design, but that can be desirable. If we were planning to use the mic predominantly for vocals we would definitely opt for the valve version ahead of the solid-state SE2200A. However, for drum overheads or room mics, on sound alone the SE2200T would be more up our street.<br>比晶體機色彩更濃郁</p><strong>Verdict</strong> <p>Overall, the SE2200T has the same excellent combination of features and value as the 2200A, but the valve design means a more engaging sound. Like the 2200A, there's no single astonishing thing about this mic - the combination of features and price are the selling point.</p><p>The added complexity of using a valve PSU can be awkward at times, but on the upside, you know the underlying design has a good track record. It's very difficult not to conclude that this is a great buy.</p><div class="verdict">Verdict <p>All the sonic tuning of its sibling but with extra colouration. <br>And all for an excellent price.</p></div><p class="medheader"><img src="http://www.seelectronics.com/images/2200_T_chart.jpg" border="0" width="334" height="344"></p><table border="0" cellpadding="2"><tr><td width="273" align="left" valign="top"><font color="#999999">Frequency Response:</font> 20Hz-20000 Hz</td></tr><tr><td align="left" valign="top"><font color="#999999">Sensitivity:</font> -33dB+1 dB (0dB=1v/pa 1000KHz)</td></tr><tr><td align="left" valign="top"><font color="#999999">Polar Pattern:</font> Cardioid</td></tr><tr><td align="left" valign="top"><font color="#999999">Impedance:</font> &le; 200 Ohms</td></tr><tr><td align="left" valign="top"><font color="#999999">Equivalent Noise Level:</font> 16dB(A weighted)</td></tr><tr><td align="left" valign="top"><font color="#999999">Max SPL for 0.5% THD@1000Hz:</font> 130dB</td></tr><tr><td align="left" valign="top"><font color="#999999">Power Requirement:</font> PSU included </td></tr><tr><td align="left" valign="top"><font color="#999999">Connector:</font> 7-pin</td></tr></table><br><br></td><td width="230" align="center" valign="top"><p><img src="http://www.seelectronics.com/images/2200T_med.jpg" border="0" alt="2200T"></p><hr><img src="http://www.seelectronics.com/images/awards_logo/FM_plat-2200T.jpg" border="0" width="85" height="141"><br><br><br><br><img src="http://www.seelectronics.com/images/manuals/mic_manual_sm.jpg" border="0" width="74" height="105"><br><br><a href="pdfs/sE_Mic_Manual.pdf">sE Microphone<br>Manual</a></td></tr></table> RME Fireface 400 UC--USB版本正式供貨 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=528 <font size="5" color="#ff0000"><font color="#3366ff">RME Fireface 400 USB</font>...正式供貨<br>同場加映：<font color="#3366ff">Fireface 400 1394</font>暑期特惠!!<font size="3" color="#ff6600"><strong>Summer Special!!<br></strong></font></font><br><img src="http://www.rme-audio.de/images/products/products_fireface_uc_1.jpg" border="0" width="309" height="124"><img src="http://www.rme-audio.de/images/products/products_fireface_uc_3.jpg" border="0" width="400" height="72">＼<br><u><font size="4" color="#003300"><strong>連接部分：</strong></font></u> <div class="columnright280"><div class="grey-rounded-box-text"><ul class="listbullet"><li>18&nbsp;組輸入 / 18組輸出 </li><li>8 組類比I/O </li><li>1 組ADAT I/O&nbsp;或是 1&nbsp;組 SPDIF I/O&nbsp;光纖端子 </li><li>1 x SPDIF I/O 同軸端子 </li><li>2 x MIDI I/O 端子 </li><li>1 x USB 2.0 接口 </li><li>2組麥克風前級，增益由數位控制 </li><li>TotalMix </li></ul></div><br><u><font size="4" color="#003300">概觀：</font></u><br></div><p>Fireface UC 是Windows&nbsp;或是 Mac OS系統邵的最佳選擇，尤其是筆記型電腦的連接。搭載RME最新設計的Hammerfall core核心，Fireface UC 提供了多重音軌作業下超低延遲的能力。他<font color="#0000ff">使用兩組不同的Firmware版本以及兩種不同的傳輸方式來解除典型USB聲音介面的限制</font>. Windows或是Mac的操作模式可以在任何時間切換，在Mac OS下Fireface的MIDI端子不份過去常被抱怨，所以現在的作業系統自動使用內建的MIDI&nbsp;驅動程式即可。<br>&nbsp;</p><p>在兩個作業系統下得到的延遲都是極低的。在Windows 下最低的Buffer可以到48 samples。而在Mac OS X下更是只有14個samples。<br><br>這樣低的延遲表現，除了RME之外，過去沒有任何USB介面可以達成。</p><div class="alignright"><a href="../#1">Top</a> </div><a name="4" title="4"></a><font size="4" color="#008000"><u>特點</u></font> <p>新的USB介面不只讓RME的科技在PC&nbsp;以及 Mac電腦上都不受限，他也同時提也同時提供了低延遲，高度的表現以及相容性，使得未來理想的行動錄音得以及早實現。</p><p>The Fireface UC 使用原有的RME品質保證的類比以及數位電路，並且是在這價位的品裡唯一具備主動延遲抑制功能，強化的單機作業功能以及完全由面板控制能力，高度彈性的輸入以及輸出端子， 648軌道的矩陣線路分配以及高達192 kHz的取樣能力。</p><p><strong>Integrated DSP mixer(整合的DSP混音平台)</strong> . 所有的輸入以及輸出端子都可以利用RME的、TotalMix自由指派，分配以及分送。高達9組的獨立SubMix能夠被設定。每一個輸出音軌以及每一組SubMix音軌都可以直接被錄製而不需要外接線材。TotalMix 可以完全被MIDI控制，DSP為基礎的硬體計算每一個音軌RMS以及Peak的電平，完全不造成CPU的負擔。<br><br><strong>Analog I/O</strong> . 每一組類比輸入輸出(除了第7/8組以外都是平衡式端子) 都可以用軟體控制參考電平(-10 dBV, +4 dBu, Lo/HiGain)，以確保最大的。相同的類比平衡輸出端子1-6也是一樣的設計。高功率的耳機輸出提供了最大的推力，不論高低組抗的耳機都能表現完美。<br><br><strong>Preamps</strong> . Fireface UC 具備兩組平衡式的麥克風輸入端子且可由數位控制增益電平，可獨立開關的+48v幻象電源，以及Neutrik的Combo (xlr/trs)端子。不但可以拿來當成一般的線性輸入，他的放大高達 65 dB (每一次調整改變1dB)，傑出的EIN (Equivalent Input Noise)表現以及超低的總諧坡失真，即使在低音量下也有很低的底噪， 超越許多參考級的麥克風前級。 所有的Level設定都100% 能被重製，也能夠非常輕鬆的被軟體調整。輸入3以及4 是方便通用的輸入端子，他們的操作方式跟5-8組的輸入一樣， 能調整輸入的電平(+4 dBu, LoGain)。這些輸入端子也可以調整阻抗讓線性訊號(10 kOhm) 以及樂器(470 kOhm)使用，並且提供另一組達18dB的類比輸入放大。</p><p><strong>Digital I/O</strong> . 一組ADAT I/O 讓你能夠跟數位轉換器或是混音座連接，比如說跟ADI-8 DS/QS&nbsp;或是 OctaMic II合併使用，則可以同時使用高達16阻類比輸入端子 (12組 @ 96 kHz)。同軸的SPDIF I/O (可達192 kHz) 完全跟AES/EBU相容，而SPDIF 也可以透過光纖端子。</p><p><strong>Word Clock &amp; MIDI</strong> . Word Clock輸入以及輸出端子以及2組MIDI I/O端子 (特殊的breakout cable)。<br><br><strong>其他的特點:</strong></p><ul class="listbullet2"><li>Sample rates up to 192 kHz on all I/Os (including 2 ADAT channels with SMUX4) </li><li>Two digitally controlled Mic Preamps in high-end quality </li><li>Two balanced universal inputs for line and instrument signals </li><li>SteadyClock for maximum jitter suppression and clock refresh </li><li>Enhanced stand-alone operation with rotary encoder and front panel display </li><li>TotalMix: 648-channel mixer with 42-bit internal resolution </li><li>54 Level Meter Peak/RMS, hardware-calculated </li></ul><p>* Minimal latencies are not guaranteed as they depend on the specific computer and application.</p><p><a href="en_products_fireface_uc_systems.php?page=content/products/en_uc_general">Tested Systems</a></p><div class="alignright"><a href="../#1">Top</a> </div><a name="5" title="5"></a><font size="4" color="#008000"><u>技術規格表：</u></font> <p class="dashlist"><strong>Input AD:</strong> 6 x 1/4&quot; TRS (4 x Line, 2 x Line/Instrument), 2 x XLR/TRS Combo connector (2 x Mic/Line), all servo-balanced.</p><p class="dashlist"><strong>Output DA:</strong> 6 x 1/4&quot; TRS, servo-balanced, DC-coupled signal path. 1 x 1/4&quot; TRS unbalanced</p><p class="dashlist"><strong>Input Digital:</strong> 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)</p><p class="dashlist"><strong>Output Digital:</strong> 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES/EBU compatible)</p><p class="dashlist2"><strong>MIDI:</strong> 2 x MIDI I/O via breakout cable (4 x 5-pin DIN jacks), for 32 channels low jitter hi-speed MIDI</p><p class="dashlist"><strong>Dynamic range AD:</strong> 110 dB RMS unweighted, 113 dBA</p><p class="dashlist"><strong>THD AD:</strong> &lt; -100 dB (&lt; 0.001 %)</p><p class="dashlist"><strong>THD+N AD:</strong> &lt; -98 dB (&lt; 0.0012 %)</p><p class="dashlist2"><strong>Crosstalk AD:</strong> &gt; 110 dB</p><p class="dashlist"><strong>Dynamic range DA:</strong> 110 dB RMS unweighted, 113 dBA (unmuted)</p><p class="dashlist"><strong>THD DA:</strong> -100 dB (0.001 %)</p><p class="dashlist"><strong>THD+N DA:</strong> -96 dB (0.0015 %)</p><p class="dashlist2"><strong>Crosstalk DA:</strong> &gt; 110 dB</p><p class="dashlist"><strong>Input/Output level for 0 dBFS @ Hi Gain:</strong> +19 dBu</p><p class="dashlist"><strong>Input/Output level for 0 dBFS @ +4 dBu:</strong> +13 dBu</p><p class="dashlist"><strong>Input/Output level for 0 dBFS @ -10 dBV:</strong> +2 dBV</p><p class="dashlist"><strong>Sample rate internally:</strong> 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz</p><p class="dashlist2"><strong>Sample rate externally:</strong> 28 kHz - 200 kHz</p><p class="dashlist"><strong>Frequency response</strong> AD/DA, -0.1 dB: 5 Hz - 20.4 kHz (sf 44.1 kHz)</p><p class="dashlist"><strong>Frequency response</strong> AD/DA, -0.5 dB: 1 Hz - 43.3 kHz (sf 96 kHz)</p><p class="dashlist2"><strong>Frequency response</strong> AD/DA, -1 dB: 1 Hz - 80 kHz (sf 192 kHz)</p><br><font size="4" color="#008000"><u>驅動程式：</u></font> <p>Windows XP (from SP2), Vista, Vista 64, 7: Full ASIO multi-client operation of WDM and ASIO 2.0. WDM (DirectSound) with stereo and multi-Channel support. Mac OS X (10.5 or higher) Intel: Core Audio, Core MIDI. </p> MidiMall正式取得Sennheiser ProAudio代理權 http://www.midimall.com.tw/nuke//modules.php?name=News&file=article&sid=527 <strong><font size="4" color="#0000ff">Sennheiser ProAudio系列，從阿妹跟張韶涵手中的SKM5000系列；古典錄音的新寵MKH 8000系列，到MD421, MKH416, ME66...等經典麥克風，以及e系列的手握麥克風。<br></font></strong><br><font size="3" color="#ff0000"><strong><font size="4" color="#3366ff">歡迎經銷商洽詢</font><br><br>更合理的價格，更好的服務!! Cheaper Price, Better Service</strong></font><br><br><img src="http://www.sennheiserasia.com/asia/images/top_logo.gif" border="0" width="880" height="90"><br><img src="http://www.sennheiserasia.com/admin/images/fullImage/MD%20421%20II.jpg" border="0" width="380" height="330"><img src="http://www.sennheiserasia.com/admin/images/fullImage/MKH%20416.jpg" border="0" width="380" height="330"><br><img src="http://www.sennheiserasia.com/admin/images/fullImage/ME%20102.jpg" border="0" width="380" height="330"><img src="http://www.sennheiserasia.com/admin/images/fullImage/ME%2066.jpg" border="0" width="380" height="330"><br><img src="http://www.sennheiser.com/sennheiser/products.nsf/resources/A4C44BA39AB97514C1257432008030BB/$File/MKH8020_ProductImage.jpg" border="0" width="313" height="182"><img src="http://www.sennheiser.com/sennheiser/products.nsf/resources/1BD15E458645C59CC1257432007FBEE6/$File/e945_ProductImage.jpg" border="0" width="313" height="182"><br><br><img src="http://www.sennheiser.com/sennheiser/products.nsf/resources/68284B620000965DC125743200809132/$File/SKM5200_ProductImage.jpg" border="0" width="313" height="182"><img src="http://www.sennheiserasia.com/admin/images/fullImage/100Series.jpg" border="0" width="380" height="330">